We manage a large amount of information, so you should be able to gather tracklists in both languages, as well as upload album art, without getting any wires crossed.

You should be responsive and able to notify the content management team of updates as necessary to keep the site running smoothly.

We manage a large amount of information, so you should be able to gather tracklists in both languages, as well as upload album art, without getting any wires crossed.

You should be responsive and able to notify the rest of the content management team of updates as necessary to keep the site running smoothly.

You should be interested in finding your own projects and helping the site grow. You won't have to look far to find your new favorite thing, and you're always free to work on your favorite artists.

You must be able to listen to a song and make any necessary changes to automatically converted romaji, keeping an ear out for words with multiple readings and pronunciations.

You don't need to be fluent in Japanese to produce accurate romaji, but knowledge of basic Japanese grammar and the ability to read hiragana and katakana will help you resolve questions in romanization more quickly.

You should be able to commit to a steady pace of work (if you want to submit more, that's great too!). We try to keep pace with new releases as well.

Your command of Japanese must be advanced. There are several unique challenges in song translation that require a deeper and more nuanced knowledge of the language, much more so than everyday conversation. You should be able to understand the complete meaning of full phrases, rather than piecing it together line by line. You should be ready to handle unstated subjects, ambiguous clause boundaries, omitted particles, and abstract imagery.

You must be able to communicate a given artist's voice, including wordplay, figures of speech, and other elements, in grammatically and idiomatically correct English.

We often collaborate to raise the quality of each release. You should be open to suggestions, evaluate them objectively, and be willing to make changes as needed.

You should be able to commit to a steady pace of work (if you want to submit more, that's great too!). We try to keep pace with new releases as well.

If you are translating from English to your target language, you must be able to fully comprehend the English translation. If you are translating directly from Japanese to your target language, you must have a fluent level of comprehension (see the Japanese proficiency requirements for the English translation team).

You must be able to communicate a given artist's voice, including wordplay, figures of speech, and other elements, in your target language in a grammatically and idiomatically correct way.

We often collaborate to raise the quality of each release. You should be open to suggestions, evaluate them objectively, and be willing to make changes as needed.

You should be able to commit to a steady pace of work (if you want to submit more, that's great too!). We try to keep pace with new releases as well.

You should have broad familiarity with the artists and trends in one or more circles of the Japanese music scene, follow multiple bands, and be able to draw connections between various artists and styles.

Whether your review is positive or negative, you should be able to craft compelling arguments and present fresh insights in clean and flowing copy.

We often collaborate to raise the quality of each release. You should be open to suggestions, evaluate them objectively, and be willing to make changes as needed.

If you commit to writing a review, you should be able to complete your submission within a maximum of two weeks of an album's release. Reviews should be approximately 600 words, though more or less is acceptable as the release justifies.